Showing posts with label Audio. Show all posts
Showing posts with label Audio. Show all posts

2012/02/07

Fender Performance Inspired Audio Cables


These Kink-Free Cords Deliver Transparent Sound and Sport a Vintage Look



$32.00 MSRP, $27.99 Street
www.fender.com
By Jon Chappell



Though there are legions of golden-eared tonemeisters who scrutinize every element in their signal chain, most guitarists don’t give that much thought to their cables. They skip right from their instrument’s output jack to the amp or the first effect in the signal chain. But cables are an essential part of your setup, not only for sound but for the way you perform and handle them. After all, you don’t move your pedals and amps around with you as you play, but your cable has to go where you go. Next to your instrument, the cable is the closest signal chain component to your body.

Fender cares a lot about cables and has released the Performance Inspired Audio Cable series, which focuses both on and audio as well as user-friendliness. This series includes many different types of cables for all your audio needs. There are instrument, microphone, and speaker cables, all in various lengths, with different connectors and gauges, where appropriate. Let’s look at some common elements in the Performance Inspired series before checking out the specific cables themselves.

NO BAD MEMORIES HERE


All Inspired Performance audio cables share an important quality musicians will appreciate right away: their lack of “physical memory,” an undesirable trait where cables tend to coil back into their previously wrapped
state. This also makes them more prone to kinking—putting stress not only on the insulation but the wire core.

But Fender Inspired cables won’t kink and don’t suffer from memory retention. You notice this while still in the packaging. For example, the instrument cable comes coiled in about nine wraps. This put an 18.6" foot cable into a circular shape of about nine inches in diameter. But when removed from its packaging, the cable unrolled into a virtual straight line. Try as I might, I couldn’t reproduce the original diameter with any predictable degree of accuracy because there was no previous shape to go by—a complete lack of physical memory! All cables wrap easily at the end of a gig, and conform completely to your storage dimensions, whatever they may be.

COLORLESS SOUND—THAT'S A GOOD THING


The other important element in a cable, of course, is its sound—or rather, its lack of contribution to the sound. Plenty of cables will color the sound, and some are even proud of this effect. Not here. You don’t hear any difference in your tone as the result of using these instrument cables, whether you’re using full-length ones or the shorter patch cables to connect between effects pedals. These are transparent as can be. What you put in is what you get out.

I put all three types—instrument, mic, and speaker—to the test, listening closely for high-end drop-off. No aspect of my sound lost any of the clarity or drop in frequency response from the original signal. This is true of the speaker cables in either gauge: 16 AWG as well as the heavier-duty 14 AWG.

CABLE CONSTRUCTION


Cables don’t have moving parts or a view to their inner workings (unless they accidentally get sliced open by a lawn mower—don’t ask me how I know this), so it helps to know just what’s behind some of the components. The instrument cables feature a two-conductor 1/4" commercial-grade plug on each end, custom designed by Fender specifically for the Inspired series. Nickel-plated steel barrels and shafts accommodate Fender’s uniquely thick-diameter cable, and will withstand years of heavy use. Silver contacts and solder provide quiet and reliable connections. A nickel-plated zinc crimp-style strain relief and PVC shrink tube encase the connector and provide additional reinforcement.

For the XLR (microphone) cables, a custom-designed connecter was used to accommodate Fender’s new larger-diameter cables here as well. Finished in black, the nickel-steel housing and silver contacts yield quiet and reliable connections. Black PVC strain reliefs also provide additional reinforcement.

For their speaker cable connectors, Fender went with a best-of-breed choice: the ubiquitous Speakon. Speakons are the industry standard for amp-to-loudspeaker connections and are designed to operate in the high-current inductive-load environment of loudspeakers. Fender’s speaker cables feature a robust plastic housing, traditional Neutrik chuck-type cable clamp, touch-proof contacts, and a unique locking mechanism for extra security (great for those long runs and outdoor gigs!). As mentioned, they come in either 16 AWG or 14 AWG.

CABLE-READY


A cable should be a lot like plumbing: when doing its job, the result should be completely invisible to the user. Not only were all three cables completely neutral with respect to a sonic signature, the mic and instrument cables didn’t resist me in any way during my various stage movements. Their suppleness assured me complete free reign in walking and turning, never kinking or coiling in the slightest. The instrument cables even look great, too: white jacket-wrapped ends pays tribute to the vintage Fender look, especially if you’re playing a black-and-white Strat—Eric Clapton’s Blackie, anyone? Fender’s Custom Shop also offers tweed versions. The construction is identical, but the tweed fabric is just a little more high-end in the aesthetics department, especially if you like the look or Fender vintage amps and instruments cases.

But whether you go high-end or opt for the working musician’s version, Fender’s Performance Inspired audio cables ensure you always sound your best and that you don’t neglect the all-important link between your music-making gear.


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2012/01/31

Mojave Audio Announces New MA-301fet Condenser Microphone

New cardioid condenser builds upon success of company's MA-201fet Burbank, CA . Mojave audio, a company founded by David Royer (known for his work with ribbon microphones) is pleased to  announce he introduction of the Mojave Audio MA-301fet Condenser Microphone. Based upon the popular MA-201fet designed by David Royer, the new MA-301fet adds features that industry professionals have asked for, including a 3-position pickup pattern selector, a 15 dB pad, and a switchable bass roll-off. This exceptional new microphone is ideal for numerous applications, among them: vocals, voice over and broadcast, electric guitar, piano, acoustic instruments, both drum overheads and room mics (drum ambience), and high SPL sources such as kick drums and bass guitar amps.

The new MA-301fet provides warm, full-bodied reproductions of vocals and
instruments without the shrillness and high frequency artifacts so often
encountered with modern condenser microphones. The microphone's warm,
military grade FET circuitry, superb Jensen transformer, and custom designed
low-noise resistors combine to deliver an ultra clean signal path with low
noise and high quality performance reminiscent of some of the best-loved
classic condenser microphones. As a solid state, large diaphragm condenser
microphone with a hand selected, 3-micron thick, 1-inch (diameter) gold
sputtered capsule, the new MA-301fet is a truly versatile recording tool.

With its multi-pattern capabilities- Cardioid, Omnidiectional, and
Figure-eight (Bi-directional)-Mojave Audio's new MA-301fet  Condenser
Microphone adds greater flexibility for recording a multitude of
instruments, voices, and other sound sources.  These capabilities are
augmented still further with the incorporation of a switchable 15 dB pad and
switchable bass roll-off. Now, engineers have greater control over not just
the microphone's polar pattern, but they can attenuate loud sources for
optimum pickup level and compensate for low frequency 'boom' if necessary.

Dusty Wakeman, Mojave Audio's president, commented on the company's new offering, "The new MA-301fet draws upon the success of our MA-201fet and adds a number of features that many recording engineers have been asking for. With the addition of multi-pattern capability as well as the switchable 15 dB pad and switchable bass roll-off, this new microphone is an incredibly versatile recording tool that, I'm confident, will find a home in a wide range of environments."

With a MSRP of $895, the Mojave Audio MA-301fet is expected to be available in February 2012.

About Mojave Audio
Located in Burbank, California, Mojave Audio is a manufacturer of quality microphones for the recording professional. Additional information on the MA-301fet and all Mojave Audio products can be found online at:       www.mojaveaudio.com.


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New! Daring Audio Introduces Bass and Guitar Pedal: a Harmonic Exciter and Natural Overdrive, the Edge Activator HD

Belmont, CA, January 2012 -- Daring Audio Inc, the leader in Professional Bass Pedals, today announces a new innovative High Definition (HD) model to broaden its product line. The Edge Activator HD is 100% analog circuitry, has a high-headroom preamp and expanded features and versatility, and a constant volume  continuous wet/dry blend capability between two internal channels.

The original Edge Activator is particularly well respected for accentuating slapping, popping, tapping, and harmonics techniques. The new Edge Activator HD brings enhanced harmonic excitation and natural overdrive, as well as previous “new string sounds” with bite, overtones, and excellent control over frequency response. Based on user feedback, the Daring Audio Edge Activator HD incorporates all these additional new features:

  • Two position EQ midrange toggle switch “EQ-Hi”  for high midrange cut or boost, and “EQ-Lo” for low midrange cut or boost, with carefully selected frequency centers for enhancing the differences due to playing technique changes: for slap, pop, tapping and harmonics on bass. 
  • Expansion of the Range control allowing differing amounts of excited or overdrive frequencies to be added in. This expansion now covers some of the range from our classic overdrive Particle Beam product for added versatility. 
  • Expansion of the Gain control, enabling line level signals for re-amping, previously requiring the Pad switch and now allowing more boost if needed. 
  • A new toggle switch “Crisp/Smooth” where Crisp allows a full range 20-20K Hz for active bright sounds and Smooth provides high-end roll-off for more vintage or classic rock overdrive settings, particularly useful on guitar signals. 
  • The Blend control now goes 100% wet to 100% dry, allowing use of the preamp with or without the effects of blended overdrive and excitation. 
  • The new Edge Activator HD is tested and  sounds amazing on guitar as well; it can make a Les Paul sounding guitar  sound sharp and brilliant like a Stratocaster with extra ping, clarity  and high harmonics, or a Strat sounding guitar sound  thick and full like a Les Paul for smoother leads and more mid-range  chunk and punch by adjusting the EQ knob and switches. Tube like natural  overdrive can be added or subtracted according to taste – with unique  control over which frequencies receive the distortion.

Like all other Daring Audio pedals, this one has 18V  high headroom on a single 9V battery or standard center-negative Boss  style 9V adapter and true-bypass switching. Pricing is $199 for each  pedal. The Edge Activator HD will be available  March, 2012. Pre-orders are available now.

See the website here: http://www.daringaudio.com/namm2012/

About Daring Audio:
Daring Audio, Inc, launched at NAMM 2011, has reinvented bass effect  pedals and established themselves as the best professional high  performance bass pedals on the market.  Daring Audio bass pedals all are  100% analog circuitry, have high-headroom preamps,  two-channel internal signal paths, constant volume continuous blend  innovation, and indestructible case construction with unique laser  engraving of scientific principles on the cases. The pedals preserve the  full bandwidth original sound of your bass (or guitar)  for live or studio applications. Daring Pedals are designed and  hand-made in the California, U.S.A., and have consistently sold out in  their first year production runs.


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2012/01/29

Universal Audio Unveils Apollo High-Resolution Audio Interface with Realtime UAD Processing

— Breakthrough audio interface features class-leading sound quality, ultra low-latency recording through UAD Powered Plug-Ins, and optional Thunderbolt I/O —

SCOTTS VALLEY, CA  — Universal Audio (UA), a leading manufacturer of professional audio recording hardware and software, is proud to announce Apollo®, a high-resolution audio interface that combines UA’s analog design heritage with esteemed UAD Powered Plug-Ins in a sleek, elegant recording system for Mac and PC*. With Apollo, music producers and performers can finally track through UAD Powered Plug-Ins in real time, via a professional 18 x 24 FireWire/Thunderbolt™-ready audio interface that delivers class-leading 24-bit/192 kHz sound quality.

“Apollo is the culmination of 10 years of analog and digital audio development here at UA,” said Bill Putnam Jr., Universal Audio founder. “In many ways, it’s brought the analog and digital sides of our company together. With Apollo, we’re delivering the sound, feel, and flow of analog recording with all the conveniences of modern digital equipment, including next-generation Thunderbolt technology.”



Apollo is, first and foremost, a well-built, high-resolution audio interface, featuring premium mic preamps and top-end converters to deliver the lowest THD and highest dynamic range in its class. Its Core Audio and ASIO* drivers ensure compatibility with all major DAWs, including Pro Tools, Logic Pro, Cubase, Live, and more. Moreover, Apollo’s Console application and companion Console Recall plug-in (VST/AU/RTAS) provide control and recall of all interface and UAD plug-in settings within individual DAW sessions, even months and years later.

Apollo differentiates itself from all other audio interfaces, however, via its onboard UAD-2 DSP Acceleration. This onboard processing allows for recording through UAD-2 Powered Plug-Ins — with nearly instant sub-2ms latency — so that music producers can quickly monitor, audition, and “print” audio using a wide range of popular analog emulation plug-ins from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.** In this way, Apollo’s sonic character and tonal options are virtually limitless. The onboard UAD-2 processors are also available for mixing and mastering, offloading processing from the host computer.

Notably, Apollo offers compatibility with Intel’s new Thunderbolt technology, as found on the newest iMacs, MacBook Pros, and MacBook Airs. Available via a user-installable Thunderbolt Option Card (sold separately), Thunderbolt provides lower latency, reduced audio buffer size, improved performance at high sample rates, and greater UAD plug-in instances versus FireWire.

“Thunderbolt technology makes possible a whole new class of products to enhance music production workflows and creativity,” says Jason Ziller, Director of Marketing and Planning for Thunderbolt technology at Intel® Corporation. “Products like Universal Audio’s Apollo are using Thunderbolt to rock music producers’ worlds.”

Apollo incorporates numerous design hallmarks from classic UA analog gear, including its fast, easy workflow. Dedicated front-panel controls are present for all the most common features, including preamp gain, channel selection, mic pad, +48V phantom power, low cut, monitor level, and dual headphone controls.

Apollo’s connectivity includes 4 digitally controlled analog mic preamps, 8 balanced line inputs and outputs, dual front-panel JFET DIs, digitally-controlled analog monitor outputs, 8 channels of ADAT, 2 channels of S/PDIF, word clock I/O, FireWire 800 (standard), and a Thunderbolt expansion bay — making it a well-equipped centerpiece for the modern project studio.

The Apollo High-Resolution Audio Interface will be available in both DUO CORE and QUAD CORE processing formats (with either two or four Analog Devices SHARC processors, respectively). Apollo will be shipping in the first quarter of 2012, with an estimated street price of $1,999 (DUO processing model) and $2,499 (QUAD processing model). Apollo’s Thunderbolt Option Card will be shipping in the first half of 2012, with pricing TBD.

Learn more about Apollo here:  
www.uaudio.com/apollo

Learn more about the award-winning UAD-2 Powered Plug-Ins platform here:  
www.uaudio.com/uad-plug-ins

Download the Apollo Press Kit, complete with high-resolution images, here:
www.uaudio.com/apollopresskit

*Compatible with Mac OS X 10.6 and 10.7; Windows 7 support coming Summer 2012.
**Individual UAD Powered Plug-In titles are sold separately at www.uaudio.com/store. Pricing is preliminary and subject to change.


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2012/01/25

Bereich03 Audio Density

Press Release: Bereich03 Audio is a Munich based company whose first product is a handmade 500 series analog 'soft' saturation device called Density.

Designed by Michael Heilrath, the Density allows subtle or extreme soft saturation/harmonic distortion to be applied during any stage of the recording process.

Featuring 2 distinct switchable voicing options and a 6 way rotary switch, the levels are compensated so that there is no increase between the input signal and the output signal levels.

The units use relays for true bypass and have internal dip switches that allow for input & output level adjustment from -16db to +8db.

Available now as single units or as matched pairs.

For more information contact http://www.bereich03-audio.de/ price €495 (inc VAT) + shipping


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2012/01/05

XLN Audio Buy Addictive Drums, Get 2 ADpaks or Retro ADpak FREE!

12/12/2011
Press Release:  From now until January 31, 2012, XLN Audio is offering 2 Free ADpaks or the Retro ADpak with the purchase of Addictive Drums.
This offer even includes the newly released and highly acclaimed INDIE ADpak.  The process is easy:
1. Purchase Addictive Drums
2. Register the Addictive Drums license at http://www.xlnaudio.com/
3. Choose your free ADpak(s).  The one license unlocks the ADpaks during authorization.
4. Download your ADpak(s) and start making music
Addictive Drums is used by many major artists, writers and producers including Max Martin and Dr. Luke, the 2011 ASCAP Songwriters of the Year.

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2011/12/28

McDSP LouderLogic Advanced Audio Player



McDSP LouderLogic for iPad and iPhone
Press Release: McDSP is proud to announce the release of its second App, LouderLogic – the Advanced Audio Player, for the iPhone and iPad.
LouderLogic enhances music, audiobooks, and podcasts with perfect volume balance at maximum fidelity.
LouderLogic is the only audio player featuring Audio Level eXtension (ALX) technology by McDSP, eliminating unwanted volume fluctuations between songs and helping listeners hear the quiet parts of their music, books, and podcasts, even in noisy environments. Great for listening in the car, train, or airplane, and for keeping all your music at just the right volume.
McDSP has been improving audio for major motion pictures, music productions, and live performances worldwide for overa decade. Now you can put some of the same advanced patent pending audio algorithms into your iPhone and iPad!
LouderLogic features include:
Automatically minimizes volume variations in existing audio library using ALX technologyImproves audio fidelity and listening enjoyment, even in noisy environmentsSleek interface for browsing by playlist, album, artist, etc.Two ALX modes for music and audiobooks/podcasts, with automatic mode switchingRealtime ALX metering shows amount of audio level extensionMultitasking support for playing audio in the background
Please note that while LouderLogic does play back DRM protected music, it cannot apply ALX enhancement to DRM protected audio. DRM protected audiobooks are not currently playable.
LouderLogic can be purchased on the Apple App store for an introductory price of $1.99. The price will increase to $3.99 on November 8, 2011.



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2011/12/27

XLN Audio Buy Addictive Drums, Get 2 ADpaks or Retro ADpak FREE!

12/12/2011 Bookmark and Share

Press Release:  From now until January 31, 2012, XLN Audio is offering 2 Free ADpaks or the Retro ADpak with the purchase of Addictive Drums.

This offer even includes the newly released and highly acclaimed INDIE ADpak.  The process is easy:

1. Purchase Addictive Drums

2. Register the Addictive Drums license at http://www.xlnaudio.com/

3. Choose your free ADpak(s).  The one license unlocks the ADpaks during authorization.

4. Download your ADpak(s) and start making music

Addictive Drums is used by many major artists, writers and producers including Max Martin and Dr. Luke, the 2011 ASCAP Songwriters of the Year. 




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XLN Audio Buy Addictive Drums For $149, Get 2 ADpaks or Retro ADpak FREE!

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2011/12/22

Native Instruments Komplete Audio 6 Special Offer

08/11/2011 Bookmark and Share

Press Release: Native Instruments has launched a time-limited special offer for its acclaimed Komplete Audio 6 interface.

Throughout the months of November and December, all owners of any version of Komplete 8 and Maschine are eligible to purchase Komplete Audio 6 at $199 / 199 EUR, a discount of up to 40% over the regular price.

Komplete Audio 6 is a high-performance six-channel interface based on the latest generation of Native Instruments' USB audio technology. With four analog I/O and stereo digital I/O, it addresses the typical needs of musicians and producers in a highly portable and affordable package. Due to 24-bit/96kHz Cirrus Logic converters and powerful +11dBu analog output stages, Komplete Audio 6 delivers pristine audio quality for studio and stage.

The special offer is valid until December 31st, and open for all new and existing owners of Komplete 8, Komplete 8 Ultimate, Maschine and Maschine Mikro. The discount can be redeemed both at authorized dealers and directly with Native Instruments.

Additional information on this special offer is available at
www.native-instruments.com/kompleteaudio6special




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2011/12/04

Universal Audio Releases MXR Flanger & Little Labs VOG

03/11/2011 Bookmark and Share

Press Release: Universal Audio (UA) is proud to release UAD Software v6.1, featuring the new MXR Flanger/Doubler Plug-In, the Little Labs Voice of God (VOG) Bass Resonance Tool, plus enhancements to Pro Tools workflow and the Ampex ATR-102 Mastering Tape Recorder Plug-In.

MXR Flanger/Doubler Plug-In
- Universal Audio MXR Flanger
Universal Audio MXR Flanger Developed in close collaboration with Dunlop Manufacturing, the MXR Flanger/Doubler plug-in for the UAD-2 platform replicates the legendary sound of this classic bucket-brigade flanging effect with unparalleled accuracy. Through its signature flanging, doubling, and delay effects, the MXR Flanger/Doubler imprints a unique stamp on guitars, bass, keys, drums, or just about any source. The MXR Flanger/Doubler Plug-In also includes additional “UAD Exclusive” features and artist presets from legendary engineers Vance Powell (The Dead Weather, Buddy Guy), Neil Dorfsman (Paul McCartney, Sting), and Chuck Zwicky (Prince, Jeff Beck).

"We knew there was only one company we could turn to when it came time to create a plug-in version of the classic MXR Flanger/Doubler," says Jeorge Tripps, Dunlop’s Director of Product Development. "The UA emulation is spot-on, and we are looking forward to seeing the reaction from musicians and engineers."

Available for purchase via UA’s Online Store, the MXR Flanger/Doubler Plug-In sells for $199.

For more information on the MXR Flanger visit http://www.uaudio.com/store/delay-modulation/mxr-flanger-doubler.html

Little Labs Voice of God (VOG) Bass Resonance Tool
- Universal Audio Little Labs VOG
Universal Audio Little Labs VOG The Little Labs-authenticated Voice of God (VOG) plug-in for the UAD-2 platform accurately models the sonic characteristics of this unique 500-series hardware audio processor in every detail. The VOG is used to accurately target and accentuate low frequency material, from vocals to bass guitar and drums — adding both heft and precision far beyond a simple EQ.

"The VOG has been very well-received for its ability to quickly and easily manipulate low end like nothing before it," says Jonathan Little of Little Labs Professional Audio. "Our hardware version was first available in the API 500-Series format, then as the i-VOG and a standalone unit. Now, UA has put the VOG live in the digital world as well, covering all the bases."

"I’m excited about the MXR Flanger/Doubler plug-in, as I used to have a hardware unit in my rack and I still miss it. Our collaboration with Dunlop has resulted in an extremely faithful plug-in emulation,” says Matt Ward, President of Universal Audio. “Add in the Little Labs Voice of God, which is really a must-have tool, and UAD v6.1 offers a solid enhancement to the UAD-2 platform."

The Little Labs VOG Bass Resonance Tool sells for $149.

For more information on the Little Labs VOG Bass Resonance Tool viist http://www.uaudio.com/store/special-processing/little-labs-voice-of-god.html

These new plug-ins are available as part of the new UAD Software v6.1 release. In addition to the MXR Flanger/Doubler and Little Labs VOG plug-ins, v6.1 includes additional enhancements to Pro Tools workflow and the Ampex ATR-102 Mastering Tape Recorder plug-in.

UAD Software v6.1 is available as a FREE download for Mac and PC users worldwide:http://www.uaudio.com/support/uad/downloads.html

Learn more about the award-winning UAD-2 Powered Plug-Ins platform here: http://www.uaudio.com/uad-plug-ins.html




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